Love lift us up

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Follow the link for more information. The song reached number one on the Billboard Hot 100 in the US and topped the charts in several other countries. On February 24, 1982, English singer Joe Cocker performed “I’m So Glad I’m Standing Here Today” with the jazz group the Crusaders at the Grammy Awards. Taylor Hackford at a ceremony for wife Helen Mirren to receive a star on the Hollywood Walk of Fame. Director Taylor Hackford was not given the budget for a new song to be produced for An Officer and a Gentleman. Meanwhile, plans were being made for An Officer and a Gentleman to be distributed by Paramount Pictures, and studio executive Frank Mancuso was insistent upon having some kind of music to use to promote the film. The original idea to sing with Joe was mine.

One of the six songs that Warnes had placed in the top half of the Billboard Hot 100 at that point was the number six hit “Right Time of the Night” from 1977. What would initially convince Cocker to work on the project, however, was a small portion of the lyrics. He described it as “the ‘Up’ part, which is what made me realize it had hit potential. The part of the chorus with the lyric “Love, lift us up”, which was what drew Joe Cocker to the song. The last scene of the film brought the story to a happy ending, and Hackford wanted to have a song playing during the closing credits that would act as a reflection of the relationship portrayed and incorporate the theme music composed by Jack Nitzsche and Buffy Saint-Marie. When Jennings presented Hackford with his demo, the director felt it was the perfect fit. Alfred Music Publishing, “Up Where We Belong” is written in common time.

It is in the key of D major and sung in a vocal range from A3 to G5. I almost didn’t want to record —the demo was dreadful! Sill described Stewart Levine as the “record producer who we felt would give us the right interpretation of the song, add some soulfulness to it and also make it a hit record at the same time,” but Levine was hesitant about traveling from his home upstate New York to California for the job. He felt it would be worthwhile, however, because Jennings was involved.

Cocker wanted to make the recording by himself, so Levine had Warnes record her vocals separately. Hackford said that “the final version was absolute magic—or at least Joel and I thought so. They now had to present this song that they weren’t budgeted to make to the executives at Paramount. Eisner and Simpson made Hackford “meet with various recording artist friends of theirs who tried to write songs, but their title songs didn’t fit the movie. Because they were running out of time before the film’s release, Eisner and Simpson finally gave in, and “Up Where We Belong” made the final cut of the film and was released as a single on July 22, 1982.

Some radio stations refused to play “Up Where We Belong”, even going so far as to send their copies back to Island Records. Cocker said, “I remember going into their offices in New York. I walked in and I said, ‘How’s the single doing? And this guy Mike Abrahams, who worked there, he said, ‘This is how well it’s doing’—and the office was piled with returns.

Up Where We Belong” debuted on the Billboard Hot 100 in the issue dated August 21 of that year and enjoyed 3 weeks at number one during its 23 weeks there. Billboard reviewed the single at the time of its release in their July 31 issue. This unlikely vocal pairing could prove less of a long shot than it sounds, given the recent gains made by other soundtrack associations. On January 29, 1983, Jennings, Nitzsche and Sainte-Marie won the Golden Globe Award for Best Original Song. Warnes and Cocker kept to an agreement that they would never lip-sync their performances of the song.

One of their earliest live appearances was on the November 20, 1982, episode of Solid Gold. In 2013 Cocker was honored in Berlin with a Goldene Kamera award, and Warnes joined him to sing the song at the ceremony. The day after Cocker’s death in 2014 Warnes wrote, “I realized yesterday that we will never sing our song again. That thought makes me feel sick.

We met last year in Berlin to sing together. The success of “Up Where We Belong” was not without its drawbacks for Cocker. He admitted that Island Records owner Chris Blackwell also hated the song and wasn’t interested in releasing it. Stewart Levine produced Cocker’s next LP, which was intended for Island, but, the singer revealed, as with the duet, Blackwell hated it, so Cocker left Island for Capitol. Capitol had been responsible for rejuvenating the careers of Tina Turner and Heart in the mid-80s, so a push was on to do so for their new client with his next project, the 1986 album Cocker.

Credits adapted from album liner notes for The Best of Joe Cocker. The part of the score of An Officer and a Gentleman that Jennings used in writing the chorus for “Up Where We Belong” can be heard in the final scene of the film in which Gere picks Winger up in his arms and carries her out of the factory past clapping co-workers. The last shot of the film freezes on their exit as the score comes to a big orchestral finish, and the credits start to roll as Cocker and Warnes begin singing the song at the chorus. Joe Cocker Tribute: Jennifer Warnes Shares Heartfelt Remembrance of ‘Up Where We Belong’ Duet Partner”. Hackford Keynotes Billboard Confab: Early Music-Film Ties Best”. Type Joe Cocker in the Search box and press Enter.

Select singles in the Format field. Select Silver in the Certification field. Type Up Where We Belong in the “Search BPI Awards” field and then press Enter. 20 Greatest Best Song Oscar Performances”. Joe Cocker, raspy-voiced British singer, dies at 70″.